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"We have a lot of choice, but if you do great content, you’ll find great viewers," he said. Hastings' position clashes with that of FX head John Landgraf, who said in August that too many television options could overwhelm us and risks creating a kind of indifference among viewers that could sink otherwise successful shows. Elektra Records, Cash Register, Old Crank Type/Hollywoodedge, Cash Registers Drawe TE021802 Elektra Records, Factory Whistle (2nd/4th whistle) Elektra. It also uses some Elektra Records effects.
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That includes acquiring high-profile names like comic Aziz Ansari, whose new Netflix show Masters of None premieres Friday, and buying the rights to indie films like it did with Beasts of No Nation earlier this year. This movie heavily uses sounds from Cartoon Trax Volume 1, Hanna-Barbera, Warner Bros., The Premiere Edition Volume 1, Animal Trax, Series 2000, Series 4000, General Series 6000 and International. Hastings said the company would spend $5 billion next year on content. >Netflix is only getting more aggressive about its original programming ambitions. If something doesn't work properly, consider deleting config files and cache. All mods are tested to work together without issues.
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"YOU GO BEYOND THE NORMAL SPECTRUM TO GET QUALITY." It features LWOTC itself + mods that need LWOTC work and install correctly + many QoL mods that you would see streamers/youtubers use + collection of voice packs (for added humour and fun).
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Now that the internet has solved some of the hardest problems of distribution, creators have to think about how to develop shows that can find audiences on a global scale, Hastings added.
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The Netflix executive pointed to his company's more experimental efforts like Narcos - the crime drama about the rise of drug lord Pablo Escobar - as an example of finding success through trying new things. >Showtime CEO Matt Blank asked Hastings how production outfits will maintain a level of quality. Two types include anime and Bollywood-style shows, he later said, though he clarified that the shows could be geared toward foreign markets. >Hastings said his company is constantly thinking about how to produce more unique programming not being served by traditional production companies. I guess you'd need an active social life with real-life anime-watching friends to feel the need to be up and up on the "new hotness." I've never really cared about that since I tend to just watch shit I'm interested in, whether it's current or not. >and I've accepted that to be on the up and up on current anime I can't wait for dubs. I'd never watch a live-action movie dubbed (that's just too weird) but since it's anime and the mouth movements are like 3 frames, it doesn't break my immersion to watch it dubbed. I argued dubbed, because the lack of Engrish and "Ruru~" is a minor loss compared to the dub dialogue being so entertainingly raunchy and having pop culture references a Westerner like me would actually understand. I got into an argument with someone whether Panty & Stocking was better dubbed or subbed. But for stuff like Hellsing Ultimate which I've been watching all week, why anyone would prefer the subbed version is beyond me considering the English setting and multiple authentic accents. Well yeah, that and stuff like JoJo or FotNS, they're so stylistically Japanese that it's impossible for me to watch them dubbed regardless of dub quality.